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The
term "flowers of Edo"
(Edo no hana) can refer to the most beautiful and outstanding
things in Edo, such as the best actors, beautiful women, famous
landscapes, and top artists.
It is also a colloquial expression
used to refer to the destructive fires that frequently
devastated the city, with the term symbolizing both the grandeur
and the ephemeral nature of the urban environment. (Google AI)
The term also applies to the Edo
firemen (hikeshi) who were admired for their bravery and
enthusiasm in fighting fires, thus being considered a "flower"
of Edo themselves.
The series
"Edo no hana meishō-e"
is dedicated to the Edo Fire Department.
It comprises 70 prints, plus a title print, preface, and
mokuroku.
Printed on thick paper in ōban format.
All prints were published by Katoya Seibei.
•1861:
1 print
•1862:
5 prints
•1863:
49 prints
•1864:
14 prints
•1865:
3 prints (posthumous)
Most prints are divided into four sections:
•The
section for the series and sheet title
•A
section with a half-length actor portrait in a specific
kabuki role
•A
section with a city or landscape view
•and
a "Miscellaneous" section
The sections with the actor is always designed by Kunisada
The other two sections are always designed by different artists.
In addition to Kunisada, a total of 19 other woodblock print
artists and one named calligrapher participated. Most of the
artists were members of the Utagawa school, but some belonged to
other schools. Little or nothing is known about some of them.
At the end of the Edo period, the professional fire department
in Edo was divided into a total of 64 brigades. 48 brigades
served the area west of the Sumida River and 16 brigades served
the area east of the river.
Each brigade served a specific city district; in some cases, the
brigades were also divided and responsible for multiple
districts.
The 48 western brigades were named after the syllables of the
"Iroha" (47 plus "n") and divided into 8 numbered groups.
The groups were numbered from 1 to 10, with the "unlucky"
numbers 4 and 7 not used.
Likewise, "unlucky" characters were avoided in hiragana writing:
百
(hyaku)
replaced
ひ
(hi),
千
(sen)
replaced
ら
(he),
万
(man)
replaced
ら
(ra),
and
本
(hon)
replaced
ん
(n).
The eastern brigades were numbered (starting with 11) or had
“real” names and were each assigned to one of the three groups:
North, South and “Extra”.
In the series, there is at least one print for each western
brigade, while only eight prints have been published for the 16
eastern brigades.
It is possible that further prints were planned, but this was
discontinued after Kunisada's death.
In 2010 Simon Henry wrote: "Each print highlights the 'finest /
most treasured' aspects of an individual Edo district - which is
where the title comes into play, The Flowers of Edo. The panels
in each of the works are in an arrangement that displays a Title
Section [which has the name and Troop number of the local Fire
Department in it], a Scene from the District, a Significant
Story about the District and a Kabuki Actor portrait that
relates to the District in some way [as well as classical songs,
poetry, historical accounts and commercial advertisements that
are associated with the famous locations too]."
Simon Henry: The Flowers of Edo: Aspects of the Edo-no-Hana
Meisho-e Print Series. 2010, ISBN: 978-0-646-52759-8.
Data group
01 - 05
Data group 06 - 10
Data group 11 - 15
matching
ptychs
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